2006 Program:

American Independents | World Cinema | House of Docs | Barrel Room | Ravenswood Red Lounge
Stellar Shorts| Student Works | Panels & Conversations | Festival At A Glance

 

 

Panels at the Sonoma Valley Film Festival are laid-back conversational exchanges between filmmakers, film lovers and industry professionals. This year, we’ve found an ideal venue to house these moderated discussions on Saturday, April 8: the Sonoma Barracks, one of the historical treasures of the Valley, which dates back to the birth of California. All Panels are free and open to the public, though festival pass holders have priority for admission and seating (until 0 minutes prior to the start of each program). 

 

With so many hot topics brewing in the world of independent film, we intend for the panels to be both informative and entertaining, whether you read the pages of Variety and chow down on the Daily Green Cine blog… or if you are new to the film festival experience… you’ll find these panels accessible, rewarding, spontaneous and thought provoking. Note: Panelists confirmed as of print date and are subject to change. 

 

STARTING PITCHES

 

 

DISTRIBUTION ® EVOLUTION

 

 

MUSIC IN FILM

11:00 a.m.

1:00 p.m.

3:00 p.m.

Ever thought you had that winning idea for a film or television show? Just like American Idol auditions, this interactive panel will allow you to take your best shot pitching to our panel of industry professionals—then they’ll evaluate your technique, style and content. Offering up helpful pointers to set you on your way to stardom, we promise they’ll be nicer than Simon Cowell. This panel was standing room only at last year's festival. 

 

Scheduled panelists include: Marc Halperin (Magic Lamp), Steve Shor, D.J. Paul (Ocelot Pitcutes), Kimberly Shane O'Hara, and independent producer Melanie Truhett

 

Those interested in pitching should email gabe@cinemaepicuria.org by Friday, April 7 with the subject: "Pitch Panel."

With the advent of new technologies comes a wealth of opportunities for the independent filmmaker. Where once the goal was to land a theatrical distribution deal, these days filmmakers may choose to seek alternative means of distribution. Some companies, like Magnolia and IFC, are experimenting with closing the window between theatrical and DVD and on-demand releases. Other companies, like Wellspring (at the behest of corporate owners the Weinstein Company) are closing theatrical divisions outright to focus exclusively on DVD. How can independent companies remain competitive in this new climate? With Wellspring getting sprung—will more small companies follow suit? Is our shared theater experience doomed to suffer the fate of the Nickelodeon?

 

Moderator: Joel S. Bachar (Microcinema International)

 

Scheduled panelists include: Marisa Keselica (VP, Theatrical Sales, Wellspring), Ted Sarandos (Chief Content Officer, Netflix), Jonathan Marlow (Director of Content Acquisitions, GreenCine), Houston King (Goodbye Cruel Releasing), and filmmaker Caveh Zahedi (I Was a Sex Addict).

Whether conquering the challenges of shooting a live cabaret film, examining a failed campaign to resuscitate a dormant Best Musical Oscar category, tackling unique problems associated with creating the period look and sound of a 70s rock band, or utilizing film and television’s power to market music for a record label, this panel explores the opportunities, difficulties and creativity in matching film and music.

 

Moderator: Ben Fong-Torres (Rolling Stone, San Francisco Chronicle)

 

Scheduled panelists include: Dan Mirvish (Director, Open House: The Musical, co-writer, Half-Empty), Brad Kimmel (Writer/Director, NOVEM), Mack Hill (Vice President Film, Television and Advertising, Sony Music), and esteemed music video director Scott Sampler.

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